The Return of Blofeld?

The Return of Blofeld?

Ian Fleming can finally rest in peace.

The lawsuit that began in 1961 regarding the rights and ownership to parts of the James Bond franchise has finally ended. The legal battle began when Ian Fleming used part of a screenplay he’d co-authored with Kevin McClory to write the novel Thunderball. In 1961, McClory sued over ownership rights, rights that Fleming had sold to EON/MGM to produce the James Bond films based on his novels. In 1983, a London court permitted McClory the rights to produce his own James Bond novel based on the screenplay he and Fleming and written (before any of the actual James Bond movies had been produced). That movie became Never Say Never Again. In 2001, a California court dismissed McClory’s claim to royalties because he’d waited too long to make his case. After more than 50 years, MGM/Danjaq, LLC has finally ended the dispute by making an undisclosed settlement to acquire all outstanding rights from McClory’s holding company, a company now run by his heirs (McClory passed in 2006). Friends and family attributed Fleming’s rapid decline in health to the stress brought about by the McClory lawsuit. As a result, Bond fans have long demonized McClory (and probably with good reason), but the most apparent outcome of the whole disagreement was that EON’s James Bond series lost the use of SPECTRE organization and the Blofeld character, who was unceremoniously executed in For Your Eyes Only as a parting gesture (a middle finger?) to McClory.

Now, with the rights to Blofeld and SPECTRE restored, fans are suggesting (some demanding!) that Blofeld and SPECTRE might return in Bond 24 and/or beyond.

If you’ve hung on my every tweet regarding the future of the Bond franchise, you’ve probably read my pleas for Bond 24 to regain some of the “smug” and humor that graced the series throughout its history. Craig’s Bond has been put through the ringer. He’s been tortured. He’s watched loved ones die — his lover and his mother figure. He’s gone off the reservation in the name of revenge and lived to tell about it. He’s starred in three relatively bleak movies and done his share of T-Dalt-inspired smoldering. Craig hasn’t had the change to have some good, old fashioned Bond fun. Skis. Winter sports. Puns and wit worthy of a Roger Moore eyebrow raise. Serial womanizing and gawking of which Connery would be proud. Even Dalton got to go sledding in a cello case. But in addition to all of this, I desperately want EON to capitalize on the build-up of the QUANTUM shadow organization as established in Casino Royale and Quantum of Solace but abandoned in Skyfall.

What this means, more acutely, is this: Just Say No to the Return of Blofeld.

Blofeld - Right Idea, Wrong Pussy

Book Blofeld frightened through unlimited power and connections. He was an imposing, mysterious figure of menace. Movie Blofeld became a joke. The only Blofeld that was worth anything was Telly Savalas in On Her Majesty’s Secret Service but even he didn’t really capture the menace. EON executed Blofeld in For Your Eyes Only with good reason. Even though they couldn’t legally use him anymore, Blofeld had overstayed his welcome. Two of my least favorite Bond movies showcased Blofeld as the primary villain: You Only Live Twice and Diamonds Are Forever. In one Donald Pleasance played him as a cartoon and in the other Charles Gray dressed in drag and couldn’t have frightened a jittery chihuahua. Blofeld should have been dismissed in the post-OHMSS revenge plot that never happened. But we’re beyond that. We’re beyond Blofeld and SPECTRE, and Craigers’ Bond still has unsettled debts with QUANTUM.

QUANTUM was responsible for the death of Vesper Lynd. A new villain behind that organization should emerge. A new villain would finally put the rumors of Neo-Blofeld to bed (as if dropping him down a smokestack wasn’t enough). It would not be impossible for QUANTUM to turn out to be SPECTRE with Blofeld at the helm, but this twist would be a disingenuous, forced narrative twist that would only pander to nostalgic fans. QUANTUM has been established as a new shadow organization for a new Bond era. They know that we know that QUANTUM was never set up to be SPECTRE. Let’s not turn back the clock to relive the embarrassing missteps of Bond movies past.

One final, selfish note:

I’m on the verge of being able to order the entire Bond franchise into a reasonable timeline that considers the major plot points, actors playing Bond in different stages of his career. Reintroducing Blofeld/SPECTRE in the Craig era (post-Skyfall, anyway) means major snafus. We already have the “Blofeld doesn’t recognize Bond in On Her Majesty’s Secret Service” situation to deal with.

Licence to Kill Live Tweet

Though it may be much maligned (misunderstood?) LICENCE TO KILL is killer #Bond_age_.

Bond goes off the reservation, executes a bunch of heavies in increasingly gruesome ways all in the name of avenging his good buddy Leiter (though in my essay on Licence to Kill I suggest there’s more to this rampage than just a convenient friendship with Felix Leiter). Tune in Wednesday at 9pm EST for the Licence to Kill Live Tweet. Follow hashtag #LtK.

Licence to Kill Remixed with Paul Simon

The camera motif in the Licence to Kill title-credit sequence always baffled me. It just had no point (or shoot). But I think with this Licence to Kill Remixed opening, I’ve connected all the dots.

It wasn’t so much an epiphany as a ton of bricks. I’d been trying without any success to replace the A-Ha song for The Living Daylights but nothing worked. I tried four different songs. Nothing lined up. There has to be some kind of similarity in tempo and style. Everything was a bust… though, Franz Ferdinand’s “Take Me Out” almost had me won over. But as I started to idly think about how I could alter Licence to Kill, I knew immediately that it had to be Paul Simon. It had to be “Kodachrome.”

Licence to Kill Remixed Opening with Paul Simon from James Patrick on Vimeo.

The Bond Origins of Chastity Flame

Novelist and #Bond_age_ supporter, K.A. Laity wanted to share the origin of her “über-sexy” female Bond character, Chastity Flame. I thought this might be of interest to some of you spy fans.

 

The Bond Origins of Chastity Flame

by K.A. Laity

Chastity Flame Artwork

While in Washington DC recently, I went to the International Spy Museum. They were having a special exhibit, “Exquisitely Evil: 50 Years of Bond Villains.” It was terrific fun and just packed with people, too. Everyone loves imagine being a secret agent—or else a supervillain. Okay, maybe more people want to be a villain; there were a lot of gleeful cat-stroking evil laughs there.

There’s just something really appealing about the idea of the secret agent. Like playing dress-up as kids, it’s a way to inhabit different roles. Even the villains get to remake their lives and their homes. Who doesn’t want a supervillain lair? And what about those minions? When they’re embodied by cool people like Grace Jones and Richard Kiel, they upstage the main villain altogether.

Of course Bond has to win in the end, so we can feel safe in the world. We might like to play the bad guys for a while but we all like to win. And Bond always looks good doing it. When I describe my secret agent Chastity Flame to people I usually use the shorthand description that she’s like an über-sexy female James Bond. Since the Bond reboot with the yummy Daniel Craig that’s a good selling point, although when I started thinking about Chas what I had in mind was the kick-ass heroine of Peter O’Donnell’s comics and novels (and yes, the rather camp, pop art movie version from the 60s with the gorgeous Monica Vitti) Modesty Blaise. (more…)

The Living Daylights #Bond_age_ Collection DVD Cover

The Living Daylights #Bond_age_ Collection DVD Cover

The Living Daylights #Bond_age_ Collection DVD Cover

I tried out a few different ideas, but in the end I wasted a lot of time on some more intensive photoshopping because I knew I always wanted the cello. And then I tried different variations on a cello, some more abstract, black outlines on the white background, white outlines on a wood-grain background… *sigh* …and in the end, I came back to the most simple representation of all. The pairing of the sniper rifle with the cello. The two objects play such an important role in TLD that this cover almost seemed inevitable. I dig the simplicity but I yearn for more flash.

The Living Daylights Live Tweet

In a world… marred by the re-emergence of the Cold War… one man… stands alone in the battle of good vs. evil… He is known… only by the way he makes women (and men) feel… when he whips out… his icy stare. That man is… THE SMOLDER. Coming soon to #Bond_age_ near you. Fall 2013. It’s THE LIVING DAYLIGHTS live tweet and the return of T-Dalt: Wednesday, 9pm EST. Follow #TLD hashtag. And may god have mercy on the cello.