I’ve had this song from the Last Shadow Puppets on the Opening-Remix back burner for years. I never quite found the right fit. Seeing as how this week marked the 40th Anniversary of The Spy Who Love Me, I figured I’d give it a shot at the big time. And, well, this is the result — The Last Shadow Puppets official audition tape for the title track on Bond 25. I feel like they’ve said all that’s necessary. Even the Hamlisch intro to the classic Carly Simon song functions admirably with “My Mistakes Were Made For You.” If there’s a non-Bond song that Bondier than this this, I’m not sure I know it. Enjoy. (And please, EON, do better than Sam Smith next time, okay? I think we’ve proven that you could have thrown a dart at the entire music industry and stumbled upon something more interesting.)
For those of you unfamiliar with the Last Shadow Puppets, they fall into the category of “supergroup” featuring Alex Turner (Arctic Monkeys), Miles Kane (The Rascals), James Ford (Simian Mobile Disco) and Zach Dawes (Min Masions). We’ve made the case for Arctic Monkeys as a Bond title-track artist on the #Bond_age_Pod, but in fact this side project of Arctic Monkeys lead-singer Alex Turner that better fits the bill. “My Mistakes Were Made For You” come from the band’s 2008 debut The Age of Understatement. The album was nominated for the prestigious Mercury Prize in the UK, falling victim to Elbow’s The Seldom Seen Kid.
Without belaboring the point of the band’s qualifications further… here’s The Last Shadow Puppets “My Mistakes Were Made for You” replacing Carly Simon on the title credits for The Spy Who Loved Me.
The Spy Who Loved Me Opening Remixed w/ The Last Shadow Puppets
As I corrected a few formatting issues in the #Bond_age_ jump page, I noticed that The World is Not Enough lacked an Opening Titles Remix. That had to be fixed, and it just so happened I’ve had a recent song from the duo Beyond the Wizards Sleeve (Erol Alkin and Richard Norris) bouncing around in my brain as a song begging for a Bond movie. I played “Black Crow” with the titles from The World is Not Enough and knew right away I had a match. It’s not that I don’t like the Garbage song… I actually love the Garbage song, but every so often you need to rearrange the furniture and “Black Crow” boasted the perfect tempo.
Unfortunately for the Beyond the Wizards Sleeve, the song will lack that immediate boost of nostalgia that allows for widespread reception or viewing. I get that. It’s easy to get into Die Another Day Remixed with the Talking Heads. Here’s the thing — by limiting Bond title songs to established artists who’ve sold one beeeeeeeelion records (or even my Opening Title Remixes! For shame!), you’re automatically eliminating 99.9% of artists. I understand the nature of the game — selling records for cash money. But artistic integrity matters too. And if the integrity of the thing mattered more, we wouldn’t have had to suffer through Sam Smith.
By the way, you should definitely give Beyond the Wizard Sleeve’s full record, Soft Bounce, a listen. It’s a brilliant combination of 1960’s psychedelia and what the kids are calling “acid house” these days. Even though I can no longer keep up with sub-sub-genres of electronic music, I still give it a high recommendation.
The World is Not Enough Opening Remixed w/ Beyond the Wizards Sleeve
I hadn’t heard this song in a long time. “Sour Times” hails from album Dummy, released in 1994. I was obsessed with this record. That might be putting it mildly, however. I kept this album in my car until roughly 2002 — when my car, including my Portishead record was stolen. I got the car and my golf clubs back. Not so much the Portishead CD. I happened across “Sour Times” on XMU during my morning drive and I thought, “Holy shit that would be a great Bond song.” I tested it with a few of the slower, more methodical Bond titles but I liked it best with Spectre. I really wanted to finally match up something with For Your Eyes Only, but then I remembered why I’ve never matched anything with For Your Eyes Only — Sheena’s silly head singing along with the lyrics. C’mon Sheena. Down in front. Some of Portishead’s lyrics synced nicely with the Spectre visuals so I let it ride. The oddity here is that the credit sequence has a longer runtime than the song. I manipulated the pacing of specific sequences in the video for better overall timing. The result? Another blissfully Sam Smith-free version of the Spectre titles. It feels like low-hanging fruit to keep replacing Sam Smith, but I think you’ll agree that this specific replacement was well worth the effort.
Let us never speak of that other Spectre song ever again. Never. I’m not joking. That that guy was chosen over Lana Del Rey’s “24” is one of the great crimes against humanity. I’m only slightly exaggerating. This is a Bond song. This could have been one of the great Bond songs. Lana Del Rey’s vocals on “24” remind of Nancy Sinatra’s in “You Only Live Twice” but Lana doesn’t need the lush string orchestration to bail her out of the tough bits. Fan of #Bond_age_, James Tracey has kindly placed Lana Del Rey in her rightful place over the Spectre title credits. And for that we thank him.
Love erupts and cultures clash in this hilarious fish-out-of-water comedy about two boys and two girls lost in the Orient. Sean Connery is James, a dashing mild-mannered British importer/exporter who meets cute as a button Japanese tourist Kissy Suzuki (Mie Hama), and embarks on a whiz bang romance. Now, on their way to meet Kissy’s large family back home in Japan, the pair is accompanied by James’ bumbling ugly ducking Oxford pal Ernst (Donald Pleasance) and Kissy’s traveling companion Aki. Can the quartet find happiness? Will James and Kissy tie the knot? And what’s the true story behind Ernst’s scar? The only certainty in YOU ONLY LIVE TWICE is soy-flavored fun!
You Only Live Twice Opening Remixed w/ Pizzicato Five
I’ve been stubbornly (shamelessly?) trying to shoehorn this Kenny Rogers jam into the Casino Royale opening sequence for EONS. it’s just never fit. Well, yesterday I gave it one more shot. I scoured YouTube for live cuts of “The Gambler” that might better fit the tempo of the opening. The original song was at once way too short and paced too slowly. Well, along comes this live cut (I believe from a Country Music Awards show in 1978). The sound quality isn’t stellar. Maybe I’ll find a better recording. Let’s just say the quality adds to overall feel. Kenny kicked the tempo of this version up a notch… and I think the studio audience clapping really makes the experience. Without further adieu, I give you the CASINO ROYALE Opening Remix with Kenny Rogers’ “The Gambler.”
Casino Royale Opening Remixed with Kenny Rogers (Live!)